Today's Special Guest Blogger is Dr. Sharon Bebout Carr, one of the countries foremost authorities on Storytelling and Performance. Please visit her Facebook page at https://www.facebook.com/storiedworlds
The Role of
Storytelling in Public Speaking
By Dr. Sharon Bebout
Carr
As speakers,
we are always looking for an edge. We
browbeat our audience with statistical data, because we know that statistics
can sound impressive and make it look like we really did our research. We put together power point presentations
because we know that visual reinforcement helps audiences remember and process
our information. We dress professionally
to introduce ourselves through signs as serious and competent communicators. We practice enunciation and pronunciation so
that we will be more easily understood.
The list goes on and on. All of
these strategies have their place and can help to promote a speaker’s
success. But if I had to choose one
strategy that I would incorporate in every speech because of its multiplicity
of benefits, it would be storytelling.
Storytelling
is a powerful public speaking tool for three important reasons: it provides compelling support for claims,
because it humanizes your message and utilizes specificity; it helps establish
a rapport between you and the audience because it reveals something important
about you; and it invites your audience to make associations between your topic
and their own past experiences. To
illustrate these claims, I would like for you to consider three possible
introductions to a speech about the hazards inherent in coal mining.
Introduction
#1: Despite the continued improvements
to coal mining safety, coal mining remains one of the most dangerous
occupations in the world. As a matter of
fact, people still die in mining accidents with astonishing frequency.
Introduction
#2: Many of you sitting in the audience
today may know someone who works in a dangerous profession. I know I do.
I am a coal miner’s daughter.
Introduction
#3 Johnny was a coal miner. One night he was working, shoveling coal onto
a belt and something went wrong, so he turned off the belt to do some
maintenance. Another miner came along,
who didn’t know why the belt was off and turned it back on. Johnny was caught in the belt and
killed. He was 20 years old. He was my baby brother. His is only one of the stories behind the
headlines about mining accidents and the quest for mining safety.
I think all
of the above introductions can capture an audience’s attention, but the last
one is the most likely to keep them involved.
The first introduction lacks detail.
It doesn’t ask your audience to do any of the work. It doesn’t say anything about your connection
to your topic.
The second
introduction is harder to dismiss, because it asks the audience to think about
people they know who are in harm’s way and establishes your connection to the
topic.
The third
introduction, however, has the most universal appeal. First of all, a person’s story causes us to
form associations with our own experiences.
To tell a story is to give a human face to experience. It appeals to us on an emotional, as well as
an intellectual level. That immediately
makes us, as audience members, more willing to walk across the bridge into a
new experience. Your audience may not
have any connection to coal mining, but they have a connection to you, as a
particular human being standing in front of them. They also have a connection to the universals
that reside within a specific relating of experience. They may not know coal miners, but they know
people that matter to them, that have names and places in their lives.
Stories are
powerful. They are full of details. They connect us to the emotional
underpinnings of ideas. They open doors
to our own stories and cause us to interact more fully with what might
otherwise be an alien experience.
Remember
that stories are at the root of the human experience. They are how we learn, they are how we
remember, they are how we make meaning of our lives. I can turn away from statistics—they do not
move me. I can become bored with power
point presentations that lack creativity.
I may even distrust the “polished” sounds of rehearsed speech. But I will always listen to a story, no
matter how poorly told, because it calls to other stories inside of me.
The best
speakers know that a speech is not a presentation or a transaction, but an
interaction. Stories call to other
stories, and that opens the door to participation and understanding.
For more information about Dr. Carr's Consulting and Storytelling workshops visit her Facebook page at: https://www.facebook.com/storiedworlds
For more information about Dr. Carr's Consulting and Storytelling workshops visit her Facebook page at: https://www.facebook.com/storiedworlds
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